On this episode of The Hyper Room 🎧 @hypercasey chats with Caitlin Burns the Director of Story at Palm NFT Studios and we talk about all things DC Comics specifically DC NFTs with the Bat Cowls, Harley Quinn and DC Collectible Comics projects that have all launched this year.

On the podcast we talk about:

• The Secret Origin of the Bat Cowls project.

• Building a Web3 comic from the ground up.

• “Death in the Family” vs “The Legacy Cowl”

• The working relationship between DC and Palm.

• How to onboard comic fans into Web3.

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Show Notes

• DC NFT Marketplace

• Palm NFT Studio website

• Palm NFT Studio Blog

• Palm NFT Studio LinkedIn

• DC NFTs Discord

• Palm NFT Studio Discord

• Park Row

I’m back!

I’ve been to Lisbon, Edinburgh, and London since you last heard from me. I’ve been at endless conferences and meetings and it feels good to be able to sit down again and start sending out this newsletter again.

As the FTX world is/has collapsed, the NFT and digital collectibles world continues to build. Ray Chan of Memeland said it best:

…or better yet: comics.

Last week, I picked up a few of the Cryptoys’ Masters of the Universe digital action figures - I really like these, and I like the idea of onboarding people this way. BUT, I don’t like anything without a self-custody wallet, if the site goes down or gets hacked you can lose everything and that was the problem for users that left money on FTX, and what Web3 is pushing for. But it looks like they will keep you locked into their Marketplace.

A friend really got into DC’s Hro cards and has been making some real cash by re-selling them in their marketplace. So there is seemingly a good market to buy and trade physical/digital cards.

The Hro app is where you do everything + their website - none of these digital collectible NFTs are doing self-custody exchange wallets and none of them are on open exchanges like OpenSea - the #1 reason for this is to maintain the royalties - and it seems on Hro royalty payments are as high as 10% a sale. Most NFT’s on OpenSea have a 5% creator fee.

This is what this issue of the newsletter is all about: Royalties.

When you buy an NFT

That NFT original price - anywhere from FREE to say 1ETH (currently $1275) - is the main revenue the project can make times how many pieces in the collection (traditionally 10,000).

The reason why some NFTs are free is that they can make money on secondary sales royalties. Like GoblinTown. But they must have seen the writing on the wall, as they already opened their own Marketplace that will keep royalties in place.

The Royalty

That % is something that the project can set anywhere from 2-5% on all future sales - so imagine if Marvel could have attached a resale royalty to every copy of X-Men #1 in 1963. Or if Jim Lee could have attached a 5% royalty to every piece of original artwork sold during his entire career? So that every time it’s sold to a new collector he would see some $ come his way, which also may be shared with the inker.

This double-page spread from X-Men #268 is STARTING at $57,500 - it will easily hit 6-figures (my guess $250,000 - update: actually it closed at $78,000 - a bad economy? The cover for this issue sold for $300,000 in 2020. Also, I discovered these pages were still in his possession and he put it up for auction himself.) currently, Jim sees $0 on this and it will be resold again in his lifetime for more.

So the world of NFTs is as speculative as comics and Pokemon cards - any way a trader can get around eBay commissions or Heritage Auction’s Buyer’s Premium fees people will do in NFTs and collectibles and now because the crypto market is down they are doing just that.

Marketplaces like Magic Eden - who trade mostly only in Solana NFTs decided to make non-enforceable royalties optional to stay competitive with other unsavory marketplaces that were gaining a foothold on the incumbent because they removed royalties first. The market gets very cutthroat and loses sight of what the whole NFT thing was about at the beginning (protecting creator rights and being able to monetize their work forever.)

The Hulk 181 Analogy

If I put a copy of a CGC 9.8 Hulk #181 on Facebook Marketplace or Craigslist to sidestep the 12.8% you need to give to eBay (+ 3% of the selling price since that comic book is well over the price threshold) this is a platform fee that will always be there and how the marketplace makes money.

BUT with creator royalties, there could be a piece of this going to not only Marvel but Len Wein and Herb Trimpe the writer and artist of this particular comic and the co-creators of WOLVERINE, not to mention Stan Lee and Jack Kirby the co-creators of The Hulk - - and they were living off this type of royalty since 1975 (when the comic would have started to have a movement on the secondary market) their families would be very very well off today.

There are 16,219 copies of Hulk #181 on the CGC census in different grades.

For NFT collections like Deadfellaz or Doodles, the projects use those royalty funds to pay for staff and the development of future projects coming from the brand.

So the royalty issue, if not properly enforced, is a problem going forward.

Apparently, the smart contracts, aren’t that smart and don’t actually lock in the royalty and it’s up to the actual marketplace to enforce it.

To not lose market share, OpenSea was flirting with the idea.

But, because of tweets like this from prominent artists:

And full-on posts by people like GordonGoner one of the co-founders of the Bored Ape Yacht Club:

1) The NFT ecosystem would be a tiny fraction of what it is today if it weren't for creator royalties. 

2) The leading marketplaces of the past couple years would be nowhere if they hadn’t supported them.

So, they decided against it.

But how long can they withstand it during a bear market?

In October, OpenSea has 66% of the NFT marketplace share today. NFTs are more like trading commodities, just like 90’s comics were investment vehicles instead of reading material and we all know where that went.

If this sounds convoluted, just imagine a movie or a TV show and then look at all the streaming shows and every creative person involved that is part of a union. There is a big Hollywood strike coming next year. The fight for creatives getting paid is heating up now and with a technology that can publicly show every stream, download and merchandise sold…

This is only the beginning.

Quick Hits

What a week it’s been for the crypto world with FTX and all the fall-out there - I highly recommend newsletters like The Milk Road if you want to have a fun and efficient daily blast of crypto news.

I really enjoyed this PROOF podcast interview with Ray Chan the founder of 9GAG and now Memeland - where he is selling Potatoz NFTs and the community he has built.

We spoke about Polygon joining the Disney Web3 Accelerator a while back - well, they graduated - here are all the teams that went through the program.

On this episode of The Hyper Room 🎧 @hypercasey chats with the co-founders of Omega RUNNER: Bryan Unkeless and Bryce Anderson - both who have worked as producers on hit Hollywood films like The Hunger Games, Birds of Prey and Mad Max: Fury Road - and are now launching a new immersive Web3 universe with their first foray into comics, the freshly launched Runner series.

On the podcast we talk about:

• Making the transition from Hollywood to Web3.

• Challenges of moving from movie storytelling to comic books.

• If Web3 will diminish the Hollywood gatekeepers.

• The importance of print and digital versions of a comic.

• How to keep communities engaged between comic releases.

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Show Notes

Omega RUNNER 1st Edition on Opensea

Omega RUNNER on Twitter

Omega RUNNER on Discord

Omega RUNNER on the web

Hollywood's Next Hit Could Be Based on an NFT -- And You'd Never Know It (CNET)

1. a news-heavy newsletter and

2. to prep you for this weekend’s Macroverse Online Web3 Comic-Con on Oct 8-9 which will be filled with lots of Web3 discussions.

This issue we are covering:

• Tokengated exclusive live events with creators

• Cryptoys launch plans revealed

• Apple and Starbucks NFT announcements

• Hasbro offers NFTs with the return of Starting Line Up

NYCC circumvents Web3, but still can’t stop Batman NFT event

As you know from our report, the San Diego Comic-con poo-poo’d any/all Web3 and NFT panels and booths this Summer, we applied for a panel at New York Comic Con but were told the slate was “full.” Doing a quick search on the Panels page looking for “Web3,” “NFT” or “blockchain” came up with 0 results, so I think it’s safe to say the organizers of these shows are not interested in letting fans get any education or insight into this new collectibles industry.

The enhancements that Web3 will bring to the traditional comic-con is huge. But instead of immediately trying to work with it, these shows are trying to steer clear. We remember that happening with Blockbuster and Toys R Us.

But don’t think that would ever really stop an entire industry or movement - we know that a few NFT-holder exclusive meet-ups are happening in NYC and two that are specific to guests and companies exhibiting at the show are both sold out: the Bat Cowls with Jim Lee and his Image Comics co-founder and upcoming Batman comic artist Marc Silvestri, and another event for Krapopolis’ Krap Chicken holders and creator Dan Harmon.

The demand is insatiable for this, especially at these global-scale comic-cons. Why line-up for hours to meet these guys with everyone else when you can join their private events and spend more quality time with them?

When Todd McFarlane hosted a meet-up for his OddKey NFT holders in San Diego during Comic-Con, holders got to hang out in an intimate setting and get comics signed by the man and hear plans for Spawn. Forget the Playboy Mansion 😂 this is the membership we dreamed of as kids - and still do today.

We are also hearing there will be new drops and new announcements around the show from everyone - so follow us on Twitter to keep up-to-date.

We won’t be there this year but definitely will find some friendlies to report back on what they saw.

Cryptoys plans are finally revealed

Cryptoys, which we have talked about before on the podcast, raised $23mm from Mattel, Dapper Labs and others back in June, have finally revealed their plans.

As action figure collectors ourselves, we are excited about Cryptoys and what they announced in the space.

• They will be $39.99 each + 5% transaction fee for users paying with USD, none if using crypto and you must be 18 years old or older.

• Minted on the Flow blockchain.

• They come in a Cube where you can’t see what’s inside aka Mint in Box, if you open the box you can see the toy you got aka Mint on Card, and then if you open it, it becomes more interactive but it also becomes aka Loose 😂 so just like real figures, you will have to buy 3 if you want the super collectible versions.

• There are rarity levels and power levels to keepo the collectibility high.

• The site is open now to register

Ok these animal characters are 🤷🏻‍♂️ but the Alpha drop on the Masters of the Universe Cryptoys was who will be in Wave 1: He-Man, Tri-Klops, Battle Cat and Evil-Lyn, and Castle Greyskull but they hinted at another license they will announce soon - as they count Mattel as an investor could it be another IP from their line-up or something else?

You can watch the whole town hall with their team here - definitely spend some time with this video as it outlines what a big piece of Web3 toys will look like since Cryptoys are quite far ahead:

Apple allows NFT sales in App Store

The two biggest mainstream Web3 stories recently are: Starbucks is launching a loyalty program using NFTs called Starbucks Odyssey, and that Apple is allowing NFT sales inside iOS apps - primarily games.

• Apple will be taking their 30% cut off every NFT.

• Cash only, no crypto.

Of course everything comes with controversy these days, but the idea that we can get NFTs inside iOS is pretty amazing. Solana just announced their own Android smartphone (called ‘Saga’) so our guess is the heat is on for Web3 in mobile gaming.

We don’t cover nearly as much gaming here as we should, but that market is going to be massive with Web3 as the big boys like Electronic Arts, Square Enix and UbiSoft are researching/building now and the Solana-based Star Atlas just launched a playable demo on the Epic Games store. We all know video games take a lot of money and time to make so we don’t hear much but it’s definitely in development at game studios around the world. Except maybe Riot Games. Someone still believes in that awful Pixelmon IP too. Mobile games will definitely be the first to launch and everyone is watching that market start to make its moves in 2023.

Hasbro adds NFTs to Action Figures

Even more Web3 Toys are coming! The Starting Line Up figures series are back with superstars like Steph Curry and LeBron James, but this time they are $50 super poseable and come with an NFT card!

Hasbro (and Mattel) have been super-active in the Web3 space, obviously they see the parallels betwen the two industries and this is another tiny step into this future.

We used to get paper trading cards in action figures that would get tossed, I feel like using NFT cards is a good way to get collectors into NFTs. The rights for the cards are with Panini so you are redeeming the cards from them.

How do these compete with Dapper’s NBA Top Shots? The licensing world loves to cut up a license into as many “slices” as possible to maximize profits, that’s why you see diffeent scale Marvel action figures from companies other than Hasbro. No doubt its the same in Web3 as well. So that leads to the next question - how many NBA Web3 licenses can the market take?

Check out all our podcasts talking to the people building at the intersection of pop culture and Web3 on The Hyper Room:

• Spotify Podcasts

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On this episode of The Hyper Room 🎧 @hypercasey chats with Gareb Shamus - the man behind the magazine empire that created Wizard, Toyfare, and Inquest, Wizard World, and the ACE Comic-con, about his new superhero Web3 universe company: Heromaker Studios.

• Would he start a Wizard for Web3?

• Driving demand for collectible comics and action figures.

• The parallels between comic collectors and NFT collectors.

• The difference between NFTs as collectibles vs Web3.

• Building an open-source superhero universe from scratch.

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Show Notes

Heromaker Studios

Kumite on Opensea

Kumite on Instagram

Gareb Shamus on Twitter

Wizard magazine commentaries by Cartoonist Kayfabe

Happy International NFT Day, on this episode of The Hyper Room 🎧 @hypercasey sits down with Sarah Cole, co-creator of Stoner Cats to talk about:

• What’s happened in the 420 days since Stoner Cats launched their NFT.

• Hollywood vs Web3.

• Jane Fonda doing her own NFT research.

• The production process of making an animated series.

• Raising VC money to grow in a down market.

• Being a figurehead in the Web3 animation space.

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Show Notes

StonerCats.com

Stoner Cats on OpenSea

Stoner Cats on Twitter

Sarah Cole on Twitter

Mila Kunis on Twitter

Stoner Cats NFT Roadmap And Everything You Must Know [AppCraver]

What Is Stoner Cats, the NFT Series Starring Mila Kunis, Ashton Kutcher and... Vitalik? [Decrypt]

Can Web3 Remake Hollywood? [CoinDesk]

Other Web3 animated shows:

Deadheads

The Fuckles

The Gimmicks

Toonstar

Krapopolis

#Toon3

On this episode of The Hyper Room 🎧 @hypercasey sits down with Adam Martin, co-founder of Macroverse to talk about:

• Launching a new line of Web3 comics.

• How NFTs will open new storytelling opportunities for comic creators.

• The challenges current NFT projects have in launching comics.

• The best tools to get creators ready for Web3.

• How paper editions will still be important with NFT comics.

• Why having Marvel Studios' Kevin Feige get Web3 is so important.

• The Macroverse Web3 Comic-con in October.

• …and so much more!

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Show Notes

Macroverse main site

Macroverse social media

Macroverse Epic launch titles

Macroverse iOS app download

Macroverse Android app download

Moonbirds comic

On this episode of The Hyper Room 🎧 Hypercasey sits down with Blockchain Creative Labs and Fox’s Krapopolis Project Manager Matthew Bilfield to talk about:

How Fox’s Blockchain Creative Labs is using Web3 and NFTs to build fan engagement with their new animated series by Dan Harmon - co-creator of Rick and Morty

- How they came up with a chicken as their NFT

- What holding on to the Krap Chicken NFT means for the future

- Using the NFT to see behind-the-scenes and influence things on the show.

- Alpha drop on what the Krap Chicken eggs actually do.

- The future of Blockchain Creative Labs and the Fox and Disney empires.

And so much more!

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Show Notes

Krapopolis main site.

Krapopolis on Twitter.

Krapolopolis on OpenSea.

Krapopolis Marketplace on Rarible.

Matthew Bilfield on Twitter.

Blockchain Creative Labs

Fox Invests $100mm on Blockchain [Variety]

Fox bets big on blockchain [Axios]

Upcoming Fox Series ‘Krapopolis’ Dropped Its First Batch Of NFTs, The Krap Chickens [Cartoon Brew]

Dan Harmon’s New NFT Series Gives Fans “Krap” Control [NFT Now]

Web3 Collides with San Diego Comic-Con [The Hyper Room]

San Diego Comic-Con Refused NFT-Related Programming This Year [Bleeding Cool]

Fox’s ‘The Masked Singer’ Launches NFT Digital Collectibles Platform [Variety]

USFL Announces Official NFT Marketplace [Fox Sports]

On this episode of The Hyper Room, @Hypercasey talks to the New York Times best-selling artist behind DC Superhero Girls, My Little Pony, Teen Titans Go and Care Bears: Agnes Garbowska - in our interview we discuss:

• How Agnes got into drawing comics.

• How social media helps enhance her profile.

• Live comic conventions vs e-Commerce.

• Selling physical art vs digital art.

• Her experience onboarding into Web3.

• Her NFT launch collection: DigiDorables.

• Onboarding other female artists into Web3.

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Show Notes

Agnesgarbowska.com

Agnes on Instagram

Agnes on Twitter

Digidorables on Comicboxels

Digidorables on Instagram

Digidorables on Twitter

On this episode of The Hyper Room, @Hypercasey talks to the creative mind behind The Huxley Saga: Ben Mauro - in our interview we discuss:

• How Ben started the comic before the NFT launch

• Tailoring a release strategy in the quickly evolving landscape of Web3

• The value of Digital vs Physical comics

• The importance of community building with your fanbase.

• The potential of comic book royalties on the secondary market

• The future of building out IP in Web3

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Show Notes

Ben Mauro filmography

The Huxley Saga main website

HUXLEY: The Definitive Guide

HUXLEY Goes To Hollywood

Marvel Producer Ari Arad to Turn Huxley Ethereum NFT Comics Into Film

Huxley on Opensea

Huxley on eBay

How to get into NFTs with Gary Vee

On this episode of The Hyper Room, @Hypercasey talks to One Big Idea and Venice Music’s Austin Hurtwitz about:

• An introduction to Creative Commons Zero (CC0).

• The pro’s and cons of a centralized source controlling Web3 rights.

• Commercial Rights vs Public Domain.

• How the Nouns project made CC0 work.

• How tokenized communities will connect creators to their fans.

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Twitter Spaces

ICYMI, we have split The Hyper Room into TWO - kind of like Travolta and Cage in Face/Off:

• The podcast will feature interviews with Web3 creatives and thought leaders.

• The Twitter Spaces is Hypercasey and Walkeen presenting Web3 news.

That’s TWO visits to The Hyper Room every week - Tuesday and Thursday.

If you missed last week’s first Hyper Room Twitter Space you can listen to the recording on Twitter here or we have embedded it below:

We talked about:

• Dan Harmon’s Krapopolis NFT launch issues.

• Bitcoin Pioneer Jeff Garzik Launches Web3 Production Company.

• Invisible Universe Animation Studio Closes $12 Million Series A.

• FTX Bringing Crypto Swaps to Reddit.

We’re on every Thursday at 5pm PT, 8pm ET and Friday 8am in Hong Kong at @TheHyperRoom

Show Notes

Stuff we spoke about on this episode of The Hyper Room.

Power to the People by Austin Hurwitz and his One Big Idea newsletter.

• Creative Commons

• Moonbirds and CC0

• Why Ethereum NFT Creators Are Giving Away Commercial Rights—To Everyone

• Moonbirds

• Nouns

• Doodles

• Comic books in the Public Domain

• Superheroes in the Public Domain

• Disney will lose copyright to original Mickey Mouse in 2024

On this episode of The Hyper Room, @Hypercasey talks to Comic Boxels co-founder and Devil's Due Comics founder Josh Blaylock about:

- The Web3 future of Comic-Cons

- Josh's SDCC and C2E2 experiences

- How to onboard artists into Web3

- How he is reinventing comic book publishing with NFTs with Comic Boxels.

Listen on Apple Podcasts.

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Podcast Excerpts

Casey Hyper: You work with artists like Agnes Garbowska and Jimmy Palmiotti. How do you talk to them about Web3 and getting involved? What are some of the things that you think convince artists to get involved or, start to sway them to look a little bit more into it?

Josh Blaylock: I'm more about creating the party and seeing who wants to come to it. But it's all been very organic. Agnes, I saw her comment on a reply to an artist famous in the Bitcoin space back in the day. And, and I was like, oh, you follow her. So I DM’ed Agnes and found out she was all about NFTs and trying to learn everything she could. So she was there from the beginning of the project.

My partner and co-founder on the tech side, he found me on Clubhouse when we were all at Clubhouse till two in the morning after our regular day jobs back a year and a half ago. Jimmy though, I just saw him being one of the people who were curious about it and saw that they had started to work with some people.

So I just went to the people who were interested and then there were some others who I know are secretly interested who are terrified to tell their fan bases. I'm very close to being able to share this new, very simple but different platform, you know, to read the comics and mint.

Comic Boxels is not interrupting the reading process. We're not creating friction that makes it harder for people. It's very simple. Like it, read it. No one's forcing you to buy the NFT. But if you want to, here it is.

I think a lot of the artists will finally be able to make the jump. Shockingly, a lot of artists currently don't realize that their stuff is already being sold by Marvel and DC anyway, or that there's hardly any publisher that you can work for, that's not selling NFTs and they're turning down jobs from other companies because they’re like “I can't be involved in an NFT thing.”

It's like, yeah, but you already are.

Show Notes

Comic Boxels

DigiDorables

Devil’s Due Comics

Our podcast on SDCC: Web3 Collides with San Diego Comic-Con [SPECIAL REPORT]

Our first podcast: The Return of G.I. Joe in the 21st Century with Josh Blaylock of Devil's Due

On this episode of The Hyper Room 🎧 co-hosts Hypercasey and Walkeen talk all about the Web3 infiltration of the first San Diego Comic-Con 🇺🇸 in 3 years:

- Comic-Con against NFT panels?

- Fox and Mattel come out swinging with Krapopolis and Cryptoys Masters of the Universe!

- Every comic publisher is in the Web3 space now!

- Creators are starting to develop comics into Web3 IP!

- (EDIT) Contrary to the podcast, it seems “NFT” was allowed on booth activations as showcased in our own photos below.

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Show Notes

Krapopolis

Hro

Interpop

Cryptoys Masters of the Universe

Frank Miller Presents Ancient Enemies

GenZeroes

Marvel’s Movie Math with Creators

San Diego Comic-Con

Photo Gallery

More photos on 👉🏻 The Hyper Room’s Telegram

The Hyper Room is excited to welcome Kortelin the Product Manager of Frank Miller Presents Ancient Enemies NFT to talk about the upcoming NFT drop for the new comic book series by Dan DiDio and artist Danilo Beyruth from the new publishing venture Frank Miller Presents.

Comic book legend Frank Miller and Dan DiDio have joined forces to create a new comic publishing venture that will not only include Ronin 2 and a new Sin City series but a brand new original series called Ancient Enemies that will be released to comic shops around the world in November 2022. Accompanying that release will be a 10,000 NFT collection that will drop in August. The following interview will get you up to speed on what the collection is about, how you can get it, and insight into its future roadmap as well as the debut of Frank Miller’s newest creation “The Geek” who will make his first appearance in this NFT collection.

Also on YouTube:

More info at:

The Frank Miller Presents Ancient Enemies Discord

Frank Miller Presents Ancient Enemies on Twitter

AncientEnemies.io (Launching soon)

News Sources:

[IGN] Why the Acclaimed Comic Book Creator Is Reviving Sin City and Ronin

[NYT] Frank Miller’s New Company Is Looking to the Future and the Past

[The Hyper Room] Our original podcast on the announcement

Podcast also available on:

• Apple Podcasts

• Google Podcasts

• Stitcher

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On this episode of The Hyper Room, co-hosts @Hypercasey and @Walkeen discuss:

- Disney Accelerator welcomes Web3 startups

- Can Aliens vs Dinosaurs go from Hollywood to Web3?

- Zestworld Commissions: as exciting for artists as for IP owners?

- Gamestop NFT Marketplace launches with a ton of art NFTs

Also available on Apple Podcasts, Stitcher, and your favorite podcast app.

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The Hyper Room is produced by the imagineers at THNDRHS.

On this episode of The Hyper Room, co-hosts Hypercasey and Walkeen discuss:

• Stan Lee’s Genesis is a game and NFT collection

• ‘Silicon Valley’ Producers Tap Ethereum NFTs for User-Generated Comedy: Terrible Pets

• Hellboy, Rambo and Saw enter the Metaverse via The Sandbox

Also available on Apple Podcasts, Stitcher, and your favorite podcast app.

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The Hyper Room is produced by the excelsiors at THNDRHS.

On this episode of The Hyper Room, co-hosts Hypercasey and Walkeen discuss:

• Mila Kunis and Graphic India enter the Armored Kingdom comic book and animation world.

• Neal Stephenson, the author of 'Snow Crash' enters the IRL Metaverse.

• Nickelodeon joins Star Trek and Top Gun in the Metaverse with new NFT lines.

• Barbie and Mattel sign a multi-year deal with new NFT toy marketplace Cryptoys.

Also available on Apple Podcasts, Stitcher, and your favorite podcast app.

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The Hyper Room is produced by the rugrats at THNDRHS.

Show Notes:

Armored Kingdom

• Official Site

• Comic

Trailer:

Lamina 1

• Official Site

Paramount + Recur NFTs

• Nickelodeon - Rugrats and Hey Arnold NFTs dropping on July 19 at $50 @

• Star Trek

• Top Gun

Normies

• in the Miriam-Webster Dictionary

Cryptoys

• What is Cryptoys?

• Barbie, Hot Wheels and the Mattel toy universe coming to Cryptoys

On this episode of The Hyper Room, co-hosts Hypercasey and Walkeen discuss:

- Kevin Smith’s Killroy Was Here NFT movie premiere.

- Always Sunny in Philadelphia and Mythic Quest star Rob McElhenney launches Adimverse - an NFT Writer’s Room.

- Warner Bros aims to onboard more people into crypto with Tweety Bird and the Looney Tunes Gang.

Also available on Apple Podcasts, Stitcher, and your favorite podcast app.

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The Hyper Room is produced by the loonatics at THNDRHS.

Show Notes:

Killroy Was Here

• Minting site

• Trailer (viewer discretion is advised)

Adimverse

• Official site

Looney Tunes

• Official site

ICYMI: We are posting video clips of the podcast on:

TikTok

Instagram Reels,

and YouTube Shorts

On this episode of The Hyper Room, co-hosts Hypercasey and Walkeen discuss:

• The Gundam Metaverse Project aka SIDE-G

• Multiversal’s Runner Comic Book NFT

• The Disgusting Fun of Goblintown

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The Hyper Room is produced by the newtypes at THNDRHS.

Show Notes:

The Gundam Metaverse Project

press release and fund information.

The Story of Runner

“I think that’s what most excites me about working in the web3 and NFT space: The community is going to have their own stories to tell with their characters.”

This is a Goblintown NFT.

Here is the 3-hour recording of the Goblintown Twitter Space - listen at your own peril.

ICYMI: We are posting video clips of the podcast on:

TikTok

Instagram Reels,

and YouTube Shorts

On this episode of The Hyper Room:

- Gamestop sells NFTs

- The Frank Miller x Spice DAO NFT deal

- Seth Green's animated series halted because of a stolen Bored Ape

- Stoner Cats, Deadheads, and more Web3 animated series

- Spotlight on comic book NFT: HUXLEY

- Would a Hasbro DAO have saved the Snake-Eyes movie?

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The Hyper Room is produced by the new Asgardians at THNDRHS.

Show Notes

Ronin Book 2 art by Philip Tan

Seth Green’s NFT Show

Mila Kunis talking about Stoner Cats on Conan

Deadheads trailer

Huxley trailer

Yes, we are still sore about the Snake-Eyes movie:

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Instagram Reels,

and YouTube Shorts